So hour eleven was simply spent taking photos hoping my crappy camera could get a decent one that I could use. I should have borrowed a better camera, but I was not thinking...oh well..
Got a decent one. Brought it into photoshop fixed some of the loss of color and sharpness. Also tilted the floor a bit more because it was not sitting right.
Anyway, here is the final pic
Showing posts with label Oil. Show all posts
Showing posts with label Oil. Show all posts
2/13/12
9/25/11
Virgo G C
So the book is finally here so I can post the cover.
Virgo G C
oil on canvas board and digital painting 11 x 14
You can order a print version or eBook here
I will have a process post to put up at some point. The whole process was a lot of fun and I hope to do more soon.
Virgo G C
oil on canvas board and digital painting 11 x 14
You can order a print version or eBook here
I will have a process post to put up at some point. The whole process was a lot of fun and I hope to do more soon.
Labels:
Book Cover,
Illustration,
Oil,
Painting
7/17/11
Anniversary Present
Yesterday I started painting a picture for my lovely wife Rachel. It turned out pretty good for only spending 5 hours on it.
Rachel and Stein - Oil on Canvas Skin - 11 x 14
close ups
Rachel and Stein - Oil on Canvas Skin - 11 x 14
close ups
Art Dump of Art Firsts (or fists)
These were just laying around so I decided I should post them, they dont deserve their own entry but perhaps all together they deserve some sort of mention. This is mostly a lot of new media stuff I was trying. Well besides the charcoal and oil paintings of fists, but I had yet to do skin tones (and by that I mean skin tones that were half way human, these are at least getting there)
Boom in your face! Oil hands!
This is a gouache painting on yupo paper. Just for the record I HATE YUPO PAPER!!!, I mean maybe I just didnt understand how to use it with gouache, but it drove me crazy the constant smearing of the pigment. I blamed the gouache at first, but I have since tried gouache on normal FRIGGIN paper and I like that a lot. Actually really like how fast gouache is on normal paper, been working on some stuff, hopefully will be done soon!
Charcoal skull, black paper... you know... good times, oh wait no this is colored pencil... my bad.
Encaustics, WHO CARES! I really hated wasting my time on painting with wax, im sure some people can get some really nice stuff out of wax painting, but seriously... what a waste of time, nevermind that they arent very good, but I could have spent those two or three weeks actually painting something or actually learning something with OIL paints or any kind of paint... but WAX? ugh, I should melt them down and maybe I can somehow utilize the board underneath.
good bye encaustics you will never be missed.... ever... I promise
Boom in your face! Oil hands!
This is a gouache painting on yupo paper. Just for the record I HATE YUPO PAPER!!!, I mean maybe I just didnt understand how to use it with gouache, but it drove me crazy the constant smearing of the pigment. I blamed the gouache at first, but I have since tried gouache on normal FRIGGIN paper and I like that a lot. Actually really like how fast gouache is on normal paper, been working on some stuff, hopefully will be done soon!
Charcoal skull, black paper... you know... good times, oh wait no this is colored pencil... my bad.
Encaustics, WHO CARES! I really hated wasting my time on painting with wax, im sure some people can get some really nice stuff out of wax painting, but seriously... what a waste of time, nevermind that they arent very good, but I could have spent those two or three weeks actually painting something or actually learning something with OIL paints or any kind of paint... but WAX? ugh, I should melt them down and maybe I can somehow utilize the board underneath.
good bye encaustics you will never be missed.... ever... I promise
Labels:
Charcoal,
Drawing,
Experimental,
Gouache,
Master Copy,
Oil,
Painting,
Still Life
5/14/11
This Will Be Good For You (Senior Show)
Just a quick post of my senior show. It was a group show with Nicola Harrison. Our styles seem to work together, think the show looked pretty good.
show card
show title
A Look at the space
Nicola Harrison : Emily in disguise
oil on board
18 x 24
BCJ : Driven
charcoal on bristol
19 x 24
Nicola : Healing
oil on canvas
36 x 48
Nicola : No Flight
charcoal on paper
18 x 24
Nicola : Excessive Control
oil on canvas
18 x 24
BCJ : Would you Like a Grape?
Graphite on Bristol
19 x 24
oh I put two of them on here, yay I like this drawing
Nicola : Bedlum
oil on canvas
36 x 48
BCJ : Stares
charcoal on bristol
19 x 24
BCJ : Mus-cu-lature
charcoal on bristol
19 x 24
BCJ : Judging
oil on canvas
24 x 36
Nicola : After Paul Cadmus
charcoal on toned paper
18 x 24
BCJ : Blue Curtain
oil on canvas
30 x 40
Here are photos of them all side by side for a better flow of the show I guess, that and I took these pics so I should use them right?
3/19/10
Two more paintings
Today was my last finale, and I picked up all my portfolios. Yay for spring break!
Here are my two finale paintings.
The first painting was a study for the finale project and was finished in two hours. I learned a lot by doing this project. I am usually a pretty slow painter, mostly because I don't feel entirely confident in my abilities. This helped me to make decisions quickly and mix colors quickly.
16x20 oil
And here is the finale 18x24
Here are my two finale paintings.
The first painting was a study for the finale project and was finished in two hours. I learned a lot by doing this project. I am usually a pretty slow painter, mostly because I don't feel entirely confident in my abilities. This helped me to make decisions quickly and mix colors quickly.
16x20 oil
And here is the finale 18x24
3/8/10
White Objects
Ever tried to paint a still life filled with nothing but white objects, and a white sheet as a background?
It is... to say the least, a challenge. Especially for someone who has little to no experience painting. I must say that doing this exercise taught me a ton about value and color mixing. The subtle shades of white eggs, sea shells, animal skulls, and cups are hard to capture.
I think I was successful in my rendering of the scene.
It is... to say the least, a challenge. Especially for someone who has little to no experience painting. I must say that doing this exercise taught me a ton about value and color mixing. The subtle shades of white eggs, sea shells, animal skulls, and cups are hard to capture.
I think I was successful in my rendering of the scene.
2/27/10
Still Life Paintings
Finally a weekend where I am not inundated with work! Here are a few still life paintings from the beginning of the term. They aren't very exciting but what can you do? Ill have more exciting stuff to put up as the weekend goes on.
1/1/10
Alchemists of Art
These images (unfortunately) don't do any justice to seeing these works up close and in person. Yet driving all the way to Western to see the show is probably out of the question for most of you. The next show will be a bigger deal, this was just practice really. I think the art work is pretty good for two first year students with little to no art training. Plus I think for my first hanging of a show I did pretty good. The frames were hand made by Rachels dad Joe and myself, and Rachel painted all except one, which I ended up painting.
So here are some pics from the show.
Setting Up: In these shots you can see Huachao and Crystal helping hang the sign. This was the last Friday of the term and we started hanging this show at eleven that morning. It is somewhere around four in these pictures. We were all so tired we didn't bother to ever get out of our jammies.
So here are some pics from the show.
Setting Up: In these shots you can see Huachao and Crystal helping hang the sign. This was the last Friday of the term and we started hanging this show at eleven that morning. It is somewhere around four in these pictures. We were all so tired we didn't bother to ever get out of our jammies.
The sign is made out of vinyl and stuck to this paper so as you peel the paper away you have to make sure that they are sticking to the wall and not being pulled away with the paper. If they don't stick and you pull one off from the paper it usually becomes a disaster to try to get that one letter back into the correct placement.
As Huachao peels away crystal watches to make sure that doesnt happen.
SUCCESS!!!!
A Walk Through: Here is what the show looks like if you walk by it. I think the curved wall is pretty cool. The wall to the right of this picture is all glass so you can easily see the show even if you are walking on the outside of the building. Which I also think is cool because it means that there is more of an opportunity to pull people inside to get a closer look.
Individual Pieces: And here are some views of the individual pieces. Sorry about the lines and color, sun was setting when I took the pictures and I couldn't really get good shots.
Blue Sky 36 x 36 oil on canvas
Huachao Zhou
Colorful 18 x 24 oil on canvas
Huachao Zhou
Parietal Lobe 18 x 24 oil on canvas
Brandon Cline-Jones
Brandon Cline-Jones
Ribbons 20 x 24 graphite on bristol
Brandon Cline-Jones
Brandon Cline-Jones
Nude 1 18 x 24 graphite on bristol
Huachao Zhou
Huachao Zhou
Nude 2 18 x 24 graphite on bristol
Huachao Zhou
Huachao Zhou
Nude 3 18 x 24 graphite on bristol
Huachao Zhou
Huachao Zhou
The Dark Tower 18 x 24 graphite on bristol
Brandon Cline-Jones
Brandon Cline-Jones
Blaine The Mono 18 x 24 graphite on bristol
Brandon Cline-Jones
Brandon Cline-Jones
Flowerfield 6 x 10 acrylic on canvas
Huachao Zhou
Huachao Zhou
View from the Tower 16 x 20 photograph
Brandon Cline-Jones
Brandon Cline-Jones
The Myst Part 1 16 x 20 photograph
Brandon Cline-Jones
Brandon Cline-Jones
The Myst Part 1 16 x 20 photograph
Brandon Cline-Jones
Brandon Cline-Jones
The Artists
Labels:
Abstract,
Acrylic,
Art Show,
Charcoal,
Color Pencil,
Dark Tower,
Drawing,
Figure,
Graphite,
Landscape,
Oil,
Painting,
Photography,
Show Sign
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